The horror genre has seen a resurgence of unexpected hits, with "Buddy" joining the ranks of films that defy typical box office expectations. Earlier this year, "Obsession" famously earned more in its second weekend than its first, a feat now replicated by "Buddy." This horror film, made on a modest $3 million budget, achieved $5.3 million in its opening weekend and an additional $5.7 million over Labor Day weekend. While not reaching "Obsession's" heights, it marks a significant success for a low-budget horror release.
"Buddy" centers on children featured in a program akin to "Barney & Friends," led by an orange unicorn mascot voiced by Keegan-Michael Key. As the children perform songs and lessons, they begin to notice unsettling behavior from Buddy, who compels them to continue even against their will. When cast members start disappearing, the remaining children grow suspicious and uncover Buddy's true, murderous nature.
The film's premise is undeniably strong, and the Buddy character effectively captures the essence of a 1990s children's show mascot. However, despite critical acclaim, the execution may not fully realize its ingenious concept. The film leans heavily into gore rather than genuine terror or creepiness, eliciting more chuckles than shivers, leaving a sense of disappointment that its central premise deserved a more effective blend of humor and horror.
This disappointment with "Buddy" brings to mind an earlier, more satisfying deconstruction of children's programming: the 2002 dark comedy "Death to Smoochy." Directed by Danny DeVito, the film delves into the corrupt world of children's television, beginning with the downfall of "Rainbow Randolph," a popular host played by Robin Williams, who is arrested for bribery. His replacement is Sheldon Mopes, portrayed by Edward Norton, who becomes the hugely popular purple rhinoceros mascot, "Smoochy."
A pitch-black comedy with a morbid sense of humor, "Death to Smoochy" was not a commercial success upon its release, grossing only $8 million against a $50 million budget. However, in the years since, it has cultivated a dedicated cult following who consider it a standout performance from DeVito, Norton, and Williams.
The film boasts a sharp script and a talented ensemble cast, including Catherine Keener, Harvey Fierstein, and Jon Stewart. Yet, its greatest strengths lie in the performances of its two leads. Robin Williams, known for both broad comedy and intense dramatic roles, masterfully embodies Rainbow Randolph, a cynical host who spirals into vengeful obsession with Smoochy. His portrayal seamlessly blends greed and a descent into violent schemes, making a despicable character surprisingly watchable.
Edward Norton delivers a transformative performance as Sheldon Mopes, a wide-eyed innocent who genuinely cares about children's welfare and nutrition, in stark contrast to his darker roles. Mopes is depicted as a fundamentally good-natured character, making the audience's eventual rooting against him a testament to the film's twisted narrative.
DeVito's direction is key to "Death to Smoochy's" unique appeal, skillfully merging dark comedy with moments of unexpected charm. The film balances depraved humor and violence with a surprisingly sunny, albeit unearned, conclusion that perfectly complements its childlike innocence. This ability to blend disparate elements into a cohesive and hilarious whole is DeVito's signature.
While "Buddy" has the advantage in contemporary box office success, "Death to Smoochy" remains a more accomplished and memorable satire of children's entertainment for those who appreciate its uniquely dark and comedic sensibilities. "Buddy" is currently in theaters, while "Death to Smoochy" is available for streaming on Hoopla and The Roku Channel.