The documentary "You Can See Everything" has quickly ascended to the top of media ranking websites following its theatrical release, achieving a perfect 100% Fresh rating on Rotten Tomatoes, a 4.7-star average on Letterboxd, and a 98 Metascore on Metacritic. The film, which reportedly pits surrealist Nathan Fielder against Theranos con-artist Elizabeth Holmes in a "Lying Liars Who Lie-off disguised as a documentary," is being described as "so good it's scary" by early reviewers.
This sentiment has translated into genuine apprehension for some viewers. Many are expressing fear of seeing the film, concerned that Fielder's signature psychological manipulations could have a lasting impact on their psyche, a concern amplified by their experiences with his previous work, such as "The Rehearsal." Online reactions echo this unease, with one user noting audible reactions during a screening and another questioning the ability to ever truly know someone after watching.
Other reviewers have warned against seeking out any information about the film before viewing, suggesting that even skimming reviews could spoil the intended experience and diminish its impact. The general consensus from social media and early reviews points towards a film that is both critically acclaimed and deeply unsettling.
The demand for "You Can See Everything" has led to sold-out theaters nationwide, with many audiences struggling to secure tickets. Social media posts confirm widespread sellouts, even in smaller markets. For instance, showings in suburban Ohio have been reported as fully booked. According to Deadline, the film garnered $1.75 million from its Thursday night opening. This success follows A24's recent hit, "Primetime," released last month.