The Brink of War, writer-director Michael Russell Gunn’s directorial debut, offers a methodical, dialogue-driven account of the pivotal two-day summit in Reykjavik, Iceland, in October 1986, where U.S. President Ronald Reagan and Soviet leader Mikhail Gorbachev convened in a bid to negotiate a landmark nuclear disarmament deal. The film meticulously recreates the historic meeting, shot within the actual rooms where the leaders spoke.
Despite the high stakes of preventing a nuclear conflict during the Cold War, the drama maintains a remarkably measured pace, lacking the palpable urgency found in films like Thirteen Days. The narrative often feels stagebound, reminiscent of character-focused HBO dramas from the 1990s. However, the film finds its most engaging moments when Reagan, portrayed by Jeff Daniels, and Gorbachev, played by Jared Harris, engage in direct negotiation. Their exchanges highlight their differing political and philosophical stances as they navigate issues such as human rights, religion, and the U.S. Strategic Defense Initiative, all while sensing the historical weight of their discussions.
Daniels effectively embodies Reagan’s convictions, though he does not replicate the former president’s distinctive vocal patterns. The film touches upon Reagan's personal struggles, referencing the lingering effects of an assassination attempt years prior, but largely avoids critical introspection, maintaining a pro-American stance while acknowledging U.S. shortcomings when challenged by Gorbachev.
Harris delivers a strong performance as Gorbachev, particularly in a scene where he confronts U.S. policy on agricultural equipment sales. His portrayal captures a leader seeking internal reform for the Soviet Union, leveraging the nuclear deal to gain political capital, even amidst suspicions of KGB surveillance. The dynamic between the leaders is underscored by the gamesmanship between their wives, Nancy Reagan and Raisa Gorbacheva, a subplot involving passive-aggressive media sparring that adds a touch of levity.
Supporting performances include J.K. Simmons as Secretary of State George Schultz, who provides Reagan with another confidant. The film concludes with Schultz breaking the fourth wall to contextualize the summit’s outcome, a stylistic choice that reinforces the theatrical nature of the production.
Forty years on, The Brink of War serves as a reminder of the importance of intelligent, empathetic dialogue between world leaders, even adversaries. The film's central message emphasizes the necessity for leaders to approach critical global issues with thoughtful consideration and a recognition of shared humanity.