Zach Cregger's new Resident Evil movie excels by embracing the chaotic, often comical, reality of playing a video game, rather than simply mimicking the act. Unlike other adaptations that attempt a first-person perspective, this film focuses on the relatable experience of player error, panicked reactions, and fumbled controls. This metatextual approach, embodied by the character of Bryan, a medical courier wonderfully played by Austin Abrams, injects a unique and highly entertaining energy into the narrative. Bryan's journey through Raccoon City's T-virus outbreak mirrors the structure of a game, complete with objective-driven segments, action-heavy set pieces, and even moments of scavenging for resources.
Cregger, who previously demonstrated his skill in horror and comedy with 'Barbarian' and 'Weapons,' proves to be the ideal director for this material. His distinctive style perfectly suits the 'Resident Evil' series' penchant for camp, allowing for a seamless blend of genuine tension, slapstick humor, and gross-out comedy. The film frequently shifts between startling scares and laugh-out-loud moments, reminiscent of Sam Raimi's 'Drag Me to Hell,' amplifying the impact of each element. Moments like the "hi dog!" sequence exemplify this tonal tightrope walk.
While the plot is admittedly thin, the film remains engaging thanks to Abrams' charismatic performance, a series of running gags, and spectacular set-pieces. These set-pieces include memorable encounters with grotesque creatures, a frantic car chase, a tense elevator ride, and a visually impressive zombie rainstorm, all rendered with the delightfully gloopy body horror that fans expect from the 'Resident Evil' franchise. These new creature designs feel authentic to the series' established aesthetic.
Although 'Resident Evil' may not adhere strictly to established game canon or feature prominent characters like Leon or Claire, its joyous embrace of player experience makes it arguably the best video game adaptation of playing a video game to date. By wisely exploring the periphery of the 'Resident Evil' universe, Cregger's film captures the spirit of the source material more effectively than many other game-to-movie adaptations, culminating in Bryan's triumphant exclamation: "Video gaaaaaaaames!"