Section 9's debut title, End of Abyss, attempts to blend the exploration and upgrade loops of a Metroidvania with a horror aesthetic, but the result is a mixed experience. While the game delivers some intriguing concepts and atmospheric moments, it ultimately commits what the reviewer calls a "Metroidvania cardinal sin," failing to fully capitalize on its promising premise.
The horror-themed Metroidvania genre is a niche that few developers have successfully navigated. End of Abyss sets a dark and oppressive tone, aiming for a sense of dread and vulnerability. However, the execution of these elements, coupled with core gameplay mechanics, leads to significant drawbacks.
Despite the overarching criticisms, the reviewer acknowledges that not all aspects of the game were dissatisfying. There were enjoyable moments and elements that showcased the potential of Section 9's vision. However, these positive aspects were not enough to overcome the game's fundamental flaws, leading to a conclusion that the overall experience was less than ideal. The specific "cardinal sin" referenced in the review points to a critical failure in delivering a cohesive or satisfying Metroidvania journey, a common pitfall for games in the genre that focus too heavily on one aspect at the expense of another.