A new film titled Wicker, starring Alexander Skarsgård, Olivia Colman, Elizabeth Debicki, and Peter Dinklage, delves into the complexities of modern dating by setting its story in a medieval context. The premise follows a fisherwoman who, struggling with romantic relationships, enlists the help of the village basketmaker to construct a husband for her. The basketmaker, portrayed by Dinklage, readily agrees to the unusual request, building a complete man out of wicker, played by Skarsgård.
The film appears to tap into contemporary discussions surrounding male loneliness and the search for fulfilling relationships. It suggests that the popularity of certain romantic fantasy genres and games stems from their portrayal of competent, emotionally intelligent partners, a stark contrast to perceived challenges in real-world dating, such as men being overly reliant on online algorithms or lacking essential life skills. Wicker seems poised to explore this societal undercurrent, presenting a scenario where companionship is literally crafted.
Early indications from the film suggest it will not shy away from depicting intimacy, with the trailer hinting at explicit scenes between Colman and her wicker husband. The narrative also appears to position the fisherwoman as a character who openly discusses her sex life with others in the village, a potentially revolutionary element, especially within a period setting. This openness, even if unconventional, highlights the characters' relationship without concealment, emphasizing their unique dynamic.
While other films have explored themes of unusual relationships with monstrous or non-human partners, Wicker is characterized as a potentially sweeter and more wholesome take. The article expresses a hope that the movie will maintain its romantic-comedy tone without resorting to dark plot twists, and that it will address practical questions regarding the depicted intimacy.