Agnieszka Smoczynska, the director behind the acclaimed 2015 film 'The Lure,' has delivered a new cinematic experience with 'Hot Spot,' a science fiction thriller described as 'Dune's deranged cousin.' The film delves into heady ideas and employs evocative, psychedelic imagery, weaving a narrative that defies straightforward interpretation.

'Hot Spot' presents a world populated by cyber witches, blood-transfusion worms, retrofuturist 1980s noir aesthetics, arid landscapes, ancient Greek ruins, and an omnipotent artificial intelligence known as "The Head." This AI has rendered humanity entirely dependent on technology for its survival. At its core, the film features a detective mystery, though director Smoczynska intentionally avoids a linear plot progression.

Noomi Rapace stars as Rana, a mysterious rebel leader who opts out of the pervasive technological system. "Hot Spot's not about following the plot," Smoczynska explained in an interview. "It's rather to experience this world and to ask the question about this world, and to ask the question about our world here, and also what defines us."

This philosophy is rooted in the work of screenwriter Robert Bolesto, Smoczynska's frequent collaborator. Bolesto initially pitched a story about a witch in a refugee camp, a concept that resonated with Smoczynska due to the ongoing refugee crisis in Europe. The script also incorporated anxieties surrounding fake news, deepfakes, and artificial intelligence, predating the widespread cultural conversation around ChatGPT.

Smoczynska aimed to develop a visual language that translated modern anxieties into something more strange and emotionally resonant. She characterizes 'Hot Spot' as a "very metaphorical" and "very poetic" story that touches upon AI and climate change, but also probes more intimate fears, such as "the fear for our beloved ones, for our children." The director emphasized the importance of juxtaposing these fears with "the love and tenderness."

Smoczynska's initial visual inspiration came from the protagonist, Djonny, portrayed by Andrzej Konopka. She began developing the characters through drawings, collaborating with animator Tomek Popakul to visualize Djonny and Rana before solidifying the broader visual world of the film. The film's setting utilizes real locations in Greece, including the abandoned Elinikon airport, which had previously served as a refugee camp. The country's ancient history and its association with the birth of European culture were also significant elements, with burned forests and ancient Greek theaters suggesting a civilization past its prime.

Viewing 'Hot Spot' is described as akin to observing a collage painting rather than a conventional film, offering cohesion without constant coherence. Smoczynska embraces this ambiguity, having spent five years with the story and characters, focusing on "how to tell the story in terms of the visual narration" and exploring "the language of the cinema."

A tiger creeps up to a screaming blonde in Hot Spot

'Hot Spot' is currently playing in select theaters in the U.S.